What Makes a Good Logo: 10 Tips From Logo Designers

Mike Willett, founder of Skratch Creative in The Woodlands, Texas
Mike Willett
July 28, 2020
6
minute read
logo design
Logo designers in The Woodlands collaborating on effective logo designs

A good logo is simple enough to recognize at a glance, works at every size from a browser tab to a building sign, and fits the business it stands for. It uses a few colors and one or two typefaces chosen on purpose, and it looks the same everywhere it shows up. The ten tips below are the habits logo designers rely on to get there.

Designer presenting a simple tree logo on paper to a client

1. Start with the business, not the art

A logo carries a feeling about your business. Before anyone sketches, answer a few plain questions. What do you do better than the shop down the road? Who are you trying to reach? What should they feel when they see your name?

Skip this and you end up picking colors you like and hoping. The logo looks like a costume instead of a face. Know the business first and most design choices get easier. Our 9-step logo design process starts right here.

Fit matters too. A children's brand can be loud and playful. A law office needs to look steady. A sleek, minimal mark suits a tech firm but can feel cold for a family bakery. Match the look to what your customers expect from a business like yours.

2. Keep it simple

Most weak logos try to say too much. An icon, a tagline, a gradient and three fonts crammed into one mark turn into noise. People give a logo a glance, not a study session.

Simple does not mean boring. The FedEx logo is plain type with an arrow hidden in the space between the E and the x. It reads clean at first look and rewards a second one.

A good test is to remove every element that is not doing real work. What is left is usually the logo.

3. Design for every size

Your logo will live on a business card, a website header, a social profile photo, a shirt, a truck and maybe a sign. Each one is a different size and background. A mark that looks great on a big mockup can turn into a smudge at 32 pixels wide.

  • Build it as a vector file so it scales with no loss in quality.
  • Check it at favicon size and at sign size before you approve it.
  • Make sure it works in one color and in black and white.
  • Watch thin lines and fine detail. They disappear first when the logo shrinks.

Bold, simple shapes survive the shrink. Hairline strokes and busy gradients do not.

4. Build a small logo system, not one file

One file is not enough. Plan for a few versions that share the same core:

  • A full-color version for screens
  • A one-color or black and white version for print, stamps and embroidery
  • A simplified mark for tiny spaces like app icons, favicons and social avatars
  • Horizontal and stacked layouts if the logo has to fit both wide and tall spaces

With the full set in hand, nobody has to improvise when a new use comes up.

Two designers sketching logo concepts next to a set of color swatches

5. Choose colors on purpose, and spec them for print and screen

Color reaches people before words do. Blue tends to read as steady and trustworthy. Red reads as energy and urgency. Green points to growth. Pick colors that fit your audience and your message, not just the ones you personally like.

Two or three colors is plenty. Then set the technical specs so the logo looks the same everywhere:

  • Use RGB or hex values for screens.
  • Use CMYK values or a Pantone match for print.
  • For small black text in print, use 100 percent black ink only. Black built from several inks can print with colored edges when the plates shift slightly.
  • Save rich black, a mix of inks, for large solid areas in print where you want a deeper tone.

Write these values down. A logo that changes shade between the website and the flyer looks careless, even when nobody can say why. Our guide to color theory for logo design covers palettes, contrast and what shapes and fonts signal.

6. Pick type that matches your voice

The typeface is your brand's tone of voice made visible. A clean sans serif reads modern. A classic serif reads established. A script can feel warm or formal depending on how it is drawn.

  • Use one typeface, two at most.
  • If you pair two, pick ones with a similar feel and proportions, even if their weights differ.
  • Check that the name stays readable at small sizes. Fussy display fonts often fall apart on a business card.
  • Avoid the default fonts that ship with every computer. They make a logo feel generic.

7. Get the balance and proportion right

Balance is structural, not decoration. When the icon and the name carry even weight, the eye moves across the logo without snagging. When the spacing is off even a little, the whole thing can look amateur.

Symmetry feels stable and is easy to read. Asymmetry can add energy, but it needs precise execution or it looks unfinished. Either way, set the spacing between the mark and the name and keep it the same in every version.

8. Skip trends you will regret

Trends move fast and age faster. A logo built around this year's look can feel dated in a few years. Then you pay to redesign and rebuild the recognition you had. Timeless logos lean on clear shapes, strong type and colors with a reason behind them.

Ask one question about every choice: will this still look deliberate in ten years? It is fine to borrow a little from what is current, as long as the core does not depend on it.

9. Stand apart from your competitors

Search your industry and look at the logos that come up. If every competitor uses the same blue badge and the same serif font, you now know what to avoid. Blending in is the easiest way to be forgotten.

Unique does not mean strange. Look for a detail that says what actually makes your business different. Avoid stock icons and templates, because other businesses may be using the same ones.

10. Test it with real people, then use it the same way everywhere

Your own opinion of your logo is the least useful one in the room. Show your top options to people who match your customers, not just friends and family. Ask specific questions:

  • What kind of business do you think this is?
  • How does it make you feel about the company?
  • Does anything look off?

Look for patterns. If several people say the same thing, act on it. Gap learned this in 2010, when it replaced its long-running logo and switched back about a week later after customers pushed back.

Once the logo is final, lock it down. Write a short style guide with the approved versions, colors, fonts, minimum size and clear space around the mark. Use the same files on your website, social profiles, signs and print. Every stretched, recolored or cropped copy chips away at recognition. Print quality counts too. Thin, cheap paper can make a good logo look cheap.

Before you print anything, run a trademark search to check that nobody has registered a similar mark. A trademark attorney can handle the search and the filing.

What a logo cannot do on its own

A logo is not the whole brand. Apple's first logo was a detailed drawing of Isaac Newton under a tree, and it was replaced within about a year. The company grew because of its products, not its first mark. A logo earns its meaning from how you treat customers. Over time, people attach their good experiences to it.

Give it a solid start, then let your work fill it with meaning. Our branding strategy guide covers the rest of the picture. When your business changes, read up on when to redesign your logo.

Get help with your logo

Skratch Creative was founded in 2016 and is based in The Woodlands. We offer logo design along with website design, SEO, social media campaigns and online advertising. Call (281) 400-6893 or send us a message to talk about your logo.

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